supported by 10 fans who also own “Where Ages Meet”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années...
Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne. Jordan Vauvert
supported by 10 fans who also own “Where Ages Meet”
Listening to this on shrooms was haunting, which made it into a serious trip! Which was a mistake I was not prepared for. I do have something to say about it though on why I think it such. I have personally experienced several tipi ceremonies. One would stay up through the night, consuming peyote, doing in some sense a molting process and does so by connecting you to the spirit world.
This album does this, but different - I say it transcends that experience, and does it well... On shrooms.
zaphexa
supported by 10 fans who also own “Where Ages Meet”
Very late to the party, but for several years I've found melodic black metal all too similar and all albums sounding like Dissection, etc... HOWEVER, not only I am back into it but UADA is still a layer of complexity above the main baseline and this is an old album worth having, that's a basic milestone in UADA's discography and I felt it needed to be part of my BC collection. sachavonkarl74
supported by 10 fans who also own “Where Ages Meet”
What an impressive piece of black metal. This one-man hurricane is pure art. Sgah‘gahsowáh creates an haunting atmosphere. He puts so much soul in his music. Sælzer Bub